NOTES on Kiyoshi Kurosawa lecture

Dear all,

Please download the notes
of Genre & Kurosawa Kiyoshi HERE
（please do not circulate beyond classroom use, thank you!）

NOTE:
password for the download is the date of the lecture. for instance if the lecture takes place on January 01, 1900 then the password would be 19000101 (eight-digit:yyyymmdd)

GENDER & SEXUALITY: a Case Study of Pedro Almodóvar and Camp

http://emanuellevy.com/wp-content/uploads/2014/04/all_about_my_mother_4_almodovar.jpg

readings for week 10&11

WEEK 11/JULY 7^TH Lecture

Required Readings:

Babuscio, Jack (1978) “The Cinema of Camp, aka Camp and the Gay Sensibility”, In Fabio Cleto (Ed) (1999) Camp: Queer Aesthetics and the Performing Subject. Edinburgh: Edinburgh University Press, pp. 117-135

[click HERE to download]

Maddison, Stephen. “All about Women: Pedro Almodóvar and the Heterosocial Dynamic,” Textual Practice, 14.2 (2000), 265–284

[click HERE to download]

Susan, Sontag. (1964) Notes on Camp. In Susan Sontag (1966/1994) Against Interpretation. New York: Vintage

[distribute in class; NOTE: the document we distribute in class contains several chapters; you should only read Sontag's; but the other articles would be fun to read for your interest too]

SECOND READING JOURNAL

Dear all,

Kind reminder:

a Second Reading Journal is due on   JULY 1 (Friday), 5pm

clarification of screening time

Dear all, I have fixed a mistake in the previously uploaded syllabus, and please refer to latest one for reference.

It mainly concerns the time for one EXTRA screening in July; thank you!

Special Screening

Extreme Private Eros: Love Song 1974/極私的エロス・恋歌１９７４

Dir. Hara Kazuo, 1974

                                               Time & Venue: July 14^th, 4:30pm, Rm 131

readings for WEEK 9/JUNE 23RD Lecture

KUROSAWA KIYOSHI

http://gcmag.org/wp-content/uploads/2012/10/pulse1.jpg

Required Readings:

Bordwell, David & Thompson, Kristin, “Film Genres”, Film Art: an Introduction , University of Wisconsin Press, 2010, p327-349

[download HERE]

note: it is the latest section from the 10th FILM ART edition; different from the syllabus' old 2003 version, and the page numbers changed too.

Posadas, Baryon Tensor. “Fantasies of the End of the World: The Politics of Repetition in the Films of Kurosawa Kiyoshi”, Positions: East Asia Cultures Critique, 2014, Vol. 22, No. 2, pp.429-460

[distributed in class]

lecture notes

Dear all,

Please download the notes
of CITIZEN KANE HERE
of   Auteur    HERE
（please do not circulate beyond classroom use, thank you!）

NOTE:
password for the download is the date of the lecture. for instance if the lecture takes place on January 01, 1900 then the password would be 19000101 (eight-digit:yyyymmdd)

Special Screening

Dear all,

for those of you who haven't found chance of off-campus screenings---you could join us on June 9 (Thursday) for a special screening (for my seminar)

Special Screening The Act of Killing, Dir. Joshua Oppenheimer, 2012 English subtitle [https://en.wikipedia.org/wiki/The_Act_of_Killing]                          Time: June 9th, 4:30 pm; Venue: Rm 131

Is there class on June 2?

The answer is NO.

Please refer to the previous entry for the course syllabus.

All the dates remain UNCHANGED.


cheers
Ran