contemporary Korean cinema notes+1 reading

Dear all

Please download the NOTEs here.
It will expire by next Friday.


If you want to write on Old Boy, why not read this as well?
Joseph Jonghyun Jeon; Residual Selves: Trauma and Forgetting in Park Chan-Wook's Oldboy. positions 1 August 2009; 17 (3): 713–740. doi: https://doi.org/10.1215/10679847-2009-021

BORDER-CROSSING ASIA

WEEK 10*JUNE 28^TH    SCREENING:

A Quiet Dream (춘몽), Dir. Zhang Lu/장률/張律, 2016

Korean with Eng subtitle

NOTE:

The screening would start at 10:15; but it is fine to arrive in the classroom by 10:30. Attendance would be taken, and the code would be given that day.

★Film Journal No.2

Due on June 26th (Wed), 5pm via email 

Dear all: it is POSSIBLE to use other citation styles, as long as you remind me of your new style, by indicating that at the end of your journal. Thanks!

CONTEMPORARY KOREAN CINEMA

Special Screening:

Oldboy (올드보이)

Dir. Park Chan-Wook, 2003, 120 min.

Date/Time/Venue: June 17^th Monday, 4:30pm, Rm 127

NOTES on JAPANESE CINEMA IN THE POST-STUDIO ERA

please click HERE to download.

NOTE: the sharing is only available until June 14th, and please do not circulate the PDF beyond classroom use. It is password protected. Ask Ma Ran for pw, if you do not know.

On JULY 12TH GROUP PRESENTATION SESSION

Dear all:

For the Group Presentation, we will divide ourselves into 5-6 groups, and each team is expected to present on 1 of these films. Choices of films will be randomly assigned. 

Each group has 10 minutes to present on the aesthetics/styles/politics of these films, by engaging the literature from the syllabus (external references are welcome). A Q&A session is also followed (format TBA). 

The flow/format of the presentation is up to the team members—we will encourage auditing students to participate if they like, but registered students are prioritized and is encouraged to take active roles in the preparation. For any questions, write to Ma Ran.

1.Pigs and Battleship (豚と軍艦)

2.Two Actresses ( 舞台姐妹)  

3.One-Armed Swordsman (獨臂刀)

4. Red Sorghum (红⾼粱)

5. East Palace, West Palace (东宫西宫)

6. Like Father, Like Son (そして父になる)

7. Oldboy (올드보이)

NOTES on Chinese cinema into the 2000s

please click HERE to download.

NOTE: the sharing is only available for a week, and please do not circulate the PDF beyond classroom use. It is password protected. Ask Ma Ran for pw, if you do not know.

film screenings at NAGOYA CINEMATIQUE: Miyake Sho and Chris Marker

Nagoya Cinematique 名古屋シネマテーク (http://cineaste.jp/) : they have a great collection of film magazines too (in English, French and Japanese and more); a tiny library from which you could access lots of unthinkable documents. Strongly recommend.