Thursday, January 19, 2017

Final Paper

THESIS WORKSHOP ON Jan 24th
We would sit in a circle, and exchange ideas on what we have (not) learnt from this semester’s journey. It would also be a brainstorming session for the final project: each student should have their thesis topic/main argument (tentative) and chosen films ready, and you are expected to present (informally) your basic ideas for the final paper and ask questions to each other.

Final Paper: Due on Feb 2nd Thursday, 5pm

Write a 1500 word essay (typed, double-spaced, 12-point font, and 1” margins all around); CMS format style; see https://library.osu.edu/documents/english/FINALlibrary_CMS.pdf)

In your final paper, one of the films you are writing about should be from the films highlighted in our class (including both the screened ones and homework viewing ones—see your syllabus); at least 2 references you will be using should be from our syllabus (at least 1 from the Required Readings); you are always welcome to quote other academic/semi-academic sources.

SUBMISSION: Please submit the essay, in Microsoft WORD (unless you don’t have it) to the lecturer’s email address maran@lit.nagoya-u.ac.jp with the subject “Final Paper ACC”. I’d send out confirmation email once your assignment is received. Late submission is not accepted unless emergency happens.

Format
Include the following information at the top of each assignment:

Your Name
Course Title
Submission Date
Final Paper
                                                  Title of article







AIM: You are expected to review, evaluate and even critique certain concepts (such as keywords proposed or elaborated on by scholars) and/or arguments (much detailed explanations). You should be able to present your own interpretation and viewpoints further by referring to specific films (production features; styles; themes and subjects, etc.) listed in the syllabus. You are also encouraged to keep the balance between the analysis of film texts and the critical reading of the theories.

Your papers should reflect your understanding and analysis of the chosen issue using the ideas, concepts, and theories learned from the class. You should apply those ideas and theories to a text and the related issues. A good paper will first introduce (1) WHAT key ideas you will discuss in relation to your chosen topic and highlight particular points that interest you most; (2) analyze your chosen text/case/issue/phenomenon in relation to some ideas in the readings. Show with quotes and illustrative examples from your chosen text/case/issue/phenomenon to elaborate HOW the ideas in the readings can be applied usefully to analyze the topic of your interest. Elaborate on WHAT your insights are and explain WHY you think this way.


Note on Plagiarism:
Plagiarism: A writer who presents the ideas of words of another as if they were the writer’s own (that is, without proper citation) commits plagiarism. Plagiarism is not tolerable in this course or at Nagoya University. You should avoid making quotes or drawing on figures from nowhere—you must provide sources of reference for quotation and/or citations you use in the paper. This applies to images and media clips as well. Failure to observe this would risk being charged of plagiarism. In this University, plagiarism is a disciplinary offence. Any student who commits the offence is liable to disciplinary action. [All assignments/papers will be checked]


Tuesday, January 10, 2017

A GLIMPSE INTO THE SOUTHEAST ASIAN INDEPENDENT CINEMA



Baumgartel, Tilman. “Introduction: Independent Cinema in Southeast Asia,” & “Imagined Communities, Imagined Worlds: Independent Film from Southeast Asia in the Global Mediascape” in Southeast Asian Independent Cinema, edited by Tilman Baumgartel, Hong Kong University Press, 2012, p1-12 [CLICK HERE] & p21-32 [CLICK HERE]

note: download links expire by the end of this month

Valerio, Elvin Amerigo, “Defining the Aesthetics of Philippine Independent Cinema: An Interview with Brillante Mendoza,” Asian Cinema, Vol. 22 Issue 2, 2011
[click HERE]